Life in mascoka-not many artists can claim to have free art supplies. However, there are four permanent sheep that provide wool for her felt artwork, as fiber artist Pam canosham can say. \"My sheep and chickens come and go,\" says Carnochan, who lives with her husband, Jamie Honderich, at the Morgan House accommodation in Huntsville. \"Like my art, my animals are very free. The couple and their family moved into the historic stone house 21 years ago, and the sheep soon came to the mansion. At first, Carnochan focused on her textile and dyeing talents to create knitted hats and garments. A self- She has taught artists and is also good at painting Muskokan landscapes in watercolor. Raising young children initially had little time to go to art, but as they grew up, karnoken returned to the easel. At the same time, she discovered and developed a style of fiber art that she called \"wool watercolor painting. \"For watercolors and felted artwork, I have applied a thin color and work from the background to the front,\" explains Carnochan . \", He was recently selected as the official craftsman for the 2015 Huntsville Festival. \"Wet felt technology shrinks wool with water, just like you accidentally put your favorite wool sweater in a washing machine. Use dry felt when making commercial felt. You are using tiny needles, which basically stab the wool into itself with a wear technique to shrink the wool. \"At the first viewing, the reflection is naturally a compilation of the local landscape and looks like the iconic mascoka coastline of the fall. But after careful observation, the coastline found itself a naked man, capturing his reflection in the lake. This work is one of three works depicting the human body in nature. The first title of the series is Mother Earth. \"It caused a lot of buzz because by then people only knew I was a landscape artist,\" Carnochan smiled and she quoted 2006 as her becomingtime artist. \"For them, it was a bit off to see me put a nude in the middle of the landscape. The piece left my company soon. As soon as that one goes, there are two more in my imagination. Reflecting nature is one of them. Another tree I call life. This is a woman who makes a tree pose from yoga, but she is a birch tree. The way humans reflect nature is by swimming and diving into nature. It becomes a totem in a way that the coastline is usually a totem. One day, Carnochan suddenly thought of the idea of placing nudity in her work, like one night, when she played with a few dyed lines, the impulse to \"paint\" with felt wool arrived at home by chance. \"I think, let\'s see what pictures I can make with this and voila-it started,\" she recalls . \". \"You learn by doing it and see if it works or doesn\'t. Carnochan\'s visual illusory body landscape aims to allow viewers to see the landscape before determining the human form. Her style was inspired by the camouflage art of the American painter beif durlitle, which attracted the audience to look deeply at a painting and see a truly different thing. For an artist who likes to get her imagination to see what comes back in the wild, the style of this shape change seems appropriate. \"I almost gave in to the process and guided most of my work with my intuition,\" explains Carnochan . \" He never drew a work in advance. \"I sketch with wool and let wool tell me what the picture will look like. If I pick up a piece of golden wool in the landscape, then I know it\'s autumn or late autumn. That\'s simple. The wool is guiding me. If I put it somewhere and it looks like it belongs there, that\'s where I go. \"Even if there are cooperative sheep nearby, it is a long process to prepare wool for felt shrinkage. In a stable separate from her studio, Carnochan did what she called a dirty job-cutting, cleaning and processing wool and then dyeing it in a kaleidoscope with her hands. Carnochan\'s dyes are produced from almost all products including Kool Aid, acid, vegetable and plant substances. The artist never knows how much wool of any color she needs in the process of creating watercolors with wool. \"If my color is running out, it usually takes a few different dye cans to get the exact shade of the color I need,\" she explains . \". \"In spring, summer and autumn, I tend to dye a lot of wool in various colors. Then I have my palette and I can work from the whole winter until the new year. To align with her art boldness, Carnochan quickly took on the challenge in the name of art. Last fall, Marni and other fiber artist Marni Martin symbolically put down the challenge while performing at the church Gallery in Bracebridge. It takes something spectacular to attract people to the performance center. Carnochan took the challenge and was proud of her first sculpture, a tall birch tree whose metal frame was wrapped tightly in a grid. While teaching at her wool work studio, the artist instilled the same experimental spirit into her felt students. Carnochan\'s advice to everyone is to leave what they think they will create at the door. \"It\'s more interesting because things don\'t go as planned without a plan, and you won\'t be disappointed,\" says Carnochan . \". \"Some people leave their plans at the door, and some people can\'t. But it was lovely to see the students. In the end, they said I couldn\'t believe I did it. If they give themselves a chance, everyone can. \"Another challenge that Carnochan recently accepted was the Battle of Canadian art. Live competitive paintings for artists have been held throughout the country, including Huntsville and brakbridge. In front of the audience, volunteer artists can get paint and canvas and have 20 minutes to create a painting. The audience voted for a winner every three rounds and selected an overall winner. \"It\'s very exciting because everyone takes their intuition to draw any theme they like,\" says Carnochan . \". \"People just play with it. It\'s all about getting yourself to see what\'s going to happen, trying to stay away from your self and move your work forward. It was a wonderful experience, but it was terrible for me. I saw a famous saying that \"pure creation is brave \". ’ It does. I don\'t know what I\'m doing, but I\'m brave. According to Carnochan, the art battle model may be a solution to global challenges. \"That\'s how we started to solve world problems with brushes,\" says Carnochan . \". \"I don\'t agree with you-take out your brush! \"Pam Carnochan\'s artwork can be booked at her wool studio at Morgan House Bed and Breakfast at 83 Morgan Road, Huntsville. Please call 705-789- 1727 or send morganbb @ vianet by email. ca. Carnochan\'s work can also be held in April at the Waddington festival in Hartford, Connecticut, on October, on the Autumn Studio Tour in mascoka, and in the Royal Winter in Toronto on November. In May 9, she held a seminar on \"wool experience full watercolor\" in the studio. Life in mascoka-not many artists can claim to have free art supplies. However, there are four permanent sheep that provide wool for her felt artwork, as fiber artist Pam canosham can say. \"My sheep and chickens come and go,\" says Carnochan, who lives with her husband, Jamie Honderich, at the Morgan House accommodation in Huntsville. \"Like my art, my animals are very free. The couple and their family moved into the historic stone house 21 years ago, and the sheep soon came to the mansion. At first, Carnochan focused on her textile and dyeing talents to create knitted hats and garments. A self- She has taught artists and is also good at painting Muskokan landscapes in watercolor. Raising young children initially had little time to go to art, but as they grew up, karnoken returned to the easel. At the same time, she discovered and developed a style of fiber art that she called \"wool watercolor painting. \"For watercolors and felted artwork, I have applied a thin color and work from the background to the front,\" explains Carnochan . \", He was recently selected as the official craftsman for the 2015 Huntsville Festival. \"Wet felt technology shrinks wool with water, just like you accidentally put your favorite wool sweater in a washing machine. Use dry felt when making commercial felt. You are using tiny needles, which basically stab the wool into itself with a wear technique to shrink the wool. \"At the first viewing, the reflection is naturally a compilation of the local landscape and looks like the iconic mascoka coastline of the fall. But after careful observation, the coastline found itself a naked man, capturing his reflection in the lake. This work is one of three works depicting the human body in nature. The first title of the series is Mother Earth. \"It caused a lot of buzz because by then people only knew I was a landscape artist,\" Carnochan smiled and she quoted 2006 as her becomingtime artist. \"For them, it was a bit off to see me put a nude in the middle of the landscape. The piece left my company soon. As soon as that one goes, there are two more in my imagination. Reflecting nature is one of them. Another tree I call life. This is a woman who makes a tree pose from yoga, but she is a birch tree. The way humans reflect nature is by swimming and diving into nature. It becomes a totem in a way that the coastline is usually a totem. One day, Carnochan suddenly thought of the idea of placing nudity in her work, like one night, when she played with a few dyed lines, the impulse to \"paint\" with felt wool arrived at home by chance. \"I think, let\'s see what pictures I can make with this and voila-it started,\" she recalls . \". \"You learn by doing it and see if it works or doesn\'t. Carnochan\'s visual illusory body landscape aims to allow viewers to see the landscape before determining the human form. Her style was inspired by the camouflage art of the American painter beif durlitle, which attracted the audience to look deeply at a painting and see a truly different thing. For an artist who likes to get her imagination to see what comes back in the wild, the style of this shape change seems appropriate. \"I almost gave in to the process and guided most of my work with my intuition,\" explains Carnochan . \" He never drew a work in advance. \"I sketch with wool and let wool tell me what the picture will look like. If I pick up a piece of golden wool in the landscape, then I know it\'s autumn or late autumn. That\'s simple. The wool is guiding me. If I put it somewhere and it looks like it belongs there, that\'s where I go. \"Even if there are cooperative sheep nearby, it is a long process to prepare wool for felt shrinkage. In a stable separate from her studio, Carnochan did what she called a dirty job-cutting, cleaning and processing wool and then dyeing it in a kaleidoscope with her hands. Carnochan\'s dyes are produced from almost all products including Kool Aid, acid, vegetable and plant substances. The artist never knows how much wool of any color she needs in the process of creating watercolors with wool. \"If my color is running out, it usually takes a few different dye cans to get the exact shade of the color I need,\" she explains . \". \"In spring, summer and autumn, I tend to dye a lot of wool in various colors. Then I have my palette and I can work from the whole winter until the new year. To align with her art boldness, Carnochan quickly took on the challenge in the name of art. Last fall, Marni and other fiber artist Marni Martin symbolically put down the challenge while performing at the church Gallery in Bracebridge. It takes something spectacular to attract people to the performance center. Carnochan took the challenge and was proud of her first sculpture, a tall birch tree whose metal frame was wrapped tightly in a grid. While teaching at her wool work studio, the artist instilled the same experimental spirit into her felt students. Carnochan\'s advice to everyone is to leave what they think they will create at the door. \"It\'s more interesting because things don\'t go as planned without a plan, and you won\'t be disappointed,\" says Carnochan . \". \"Some people leave their plans at the door, and some people can\'t. But it was lovely to see the students. In the end, they said I couldn\'t believe I did it. If they give themselves a chance, everyone can. \"Another challenge that Carnochan recently accepted was the Battle of Canadian art. Live competitive paintings for artists have been held throughout the country, including Huntsville and brakbridge. In front of the audience, volunteer artists can get paint and canvas and have 20 minutes to create a painting. The audience voted for a winner every three rounds and selected an overall winner. \"It\'s very exciting because everyone takes their intuition to draw any theme they like,\" says Carnochan . \". \"People just play with it. It\'s all about getting yourself to see what\'s going to happen, trying to stay away from your self and move your work forward. It was a wonderful experience, but it was terrible for me. I saw a famous saying that \"pure creation is brave \". ’ It does. I don\'t know what I\'m doing, but I\'m brave. According to Carnochan, the art battle model may be a solution to global challenges. \"That\'s how we started to solve world problems with brushes,\" says Carnochan . \". \"I don\'t agree with you-take out your brush! \"Pam Carnochan\'s artwork can be booked at her wool studio at Morgan House Bed and Breakfast at 83 Morgan Road, Huntsville. Please call 705-789- 1727 or send morganbb @ vianet by email. ca. Carnochan\'s work can also be held in April at the Waddington festival in Hartford, Connecticut, on October, on the Autumn Studio Tour in mascoka, and in the Royal Winter in Toronto on November. In May 9, she held a seminar on \"wool experience full watercolor\" in the studio. Life in mascoka-not many artists can claim to have free art supplies. However, there are four permanent sheep that provide wool for her felt artwork, as fiber artist Pam canosham can say. \"My sheep and chickens come and go,\" says Carnochan, who lives with her husband, Jamie Honderich, at the Morgan House accommodation in Huntsville. \"Like my art, my animals are very free. The couple and their family moved into the historic stone house 21 years ago, and the sheep soon came to the mansion. At first, Carnochan focused on her textile and dyeing talents to create knitted hats and garments. A self- She has taught artists and is also good at painting Muskokan landscapes in watercolor. Raising young children initially had little time to go to art, but as they grew up, karnoken returned to the easel. At the same time, she discovered and developed a style of fiber art that she called \"wool watercolor painting. \"For watercolors and felted artwork, I have applied a thin color and work from the background to the front,\" explains Carnochan . \", He was recently selected as the official craftsman for the 2015 Huntsville Festival. \"Wet felt technology shrinks wool with water, just like you accidentally put your favorite wool sweater in a washing machine. Use dry felt when making commercial felt. You are using tiny needles, which basically stab the wool into itself with a wear technique to shrink the wool. \"At the first viewing, the reflection is naturally a compilation of the local landscape and looks like the iconic mascoka coastline of the fall. But after careful observation, the coastline found itself a naked man, capturing his reflection in the lake. This work is one of three works depicting the human body in nature. The first title of the series is Mother Earth. \"It caused a lot of buzz because by then people only knew I was a landscape artist,\" Carnochan smiled and she quoted 2006 as her becomingtime artist. \"For them, it was a bit off to see me put a nude in the middle of the landscape. The piece left my company soon. As soon as that one goes, there are two more in my imagination. Reflecting nature is one of them. Another tree I call life. This is a woman who makes a tree pose from yoga, but she is a birch tree. The way humans reflect nature is by swimming and diving into nature. It becomes a totem in a way that the coastline is usually a totem. One day, Carnochan suddenly thought of the idea of placing nudity in her work, like one night, when she played with a few dyed lines, the impulse to \"paint\" with felt wool arrived at home by chance. \"I think, let\'s see what pictures I can make with this and voila-it started,\" she recalls . \". \"You learn by doing it and see if it works or doesn\'t. Carnochan\'s visual illusory body landscape aims to allow viewers to see the landscape before determining the human form. Her style was inspired by the camouflage art of the American painter beif durlitle, which attracted the audience to look deeply at a painting and see a truly different thing. For an artist who likes to get her imagination to see what comes back in the wild, the style of this shape change seems appropriate. \"I almost gave in to the process and guided most of my work with my intuition,\" explains Carnochan . \" He never drew a work in advance. \"I sketch with wool and let wool tell me what the picture will look like. If I pick up a piece of golden wool in the landscape, then I know it\'s autumn or late autumn. That\'s simple. The wool is guiding me. If I put it somewhere and it looks like it belongs there, that\'s where I go. \"Even if there are cooperative sheep nearby, it is a long process to prepare wool for felt shrinkage. In a stable separate from her studio, Carnochan did what she called a dirty job-cutting, cleaning and processing wool and then dyeing it in a kaleidoscope with her hands. Carnochan\'s dyes are produced from almost all products including Kool Aid, acid, vegetable and plant substances. The artist never knows how much wool of any color she needs in the process of creating watercolors with wool. \"If my color is running out, it usually takes a few different dye cans to get the exact shade of the color I need,\" she explains . \". \"In spring, summer and autumn, I tend to dye a lot of wool in various colors. Then I have my palette and I can work from the whole winter until the new year. To align with her art boldness, Carnochan quickly took on the challenge in the name of art. Last fall, Marni and other fiber artist Marni Martin symbolically put down the challenge while performing at the church Gallery in Bracebridge. It takes something spectacular to attract people to the performance center. Carnochan took the challenge and was proud of her first sculpture, a tall birch tree whose metal frame was wrapped tightly in a grid. While teaching at her wool work studio, the artist instilled the same experimental spirit into her felt students. Carnochan\'s advice to everyone is to leave what they think they will create at the door. \"It\'s more interesting because things don\'t go as planned without a plan, and you won\'t be disappointed,\" says Carnochan . \". \"Some people leave their plans at the door, and some people can\'t. But it was lovely to see the students. In the end, they said I couldn\'t believe I did it. If they give themselves a chance, everyone can. \"Another challenge that Carnochan recently accepted was the Battle of Canadian art. Live competitive paintings for artists have been held throughout the country, including Huntsville and brakbridge. In front of the audience, volunteer artists can get paint and canvas and have 20 minutes to create a painting. The audience voted for a winner every three rounds and selected an overall winner. \"It\'s very exciting because everyone takes their intuition to draw any theme they like,\" says Carnochan . \". \"People just play with it. It\'s all about getting yourself to see what\'s going to happen, trying to stay away from your self and move your work forward. It was a wonderful experience, but it was terrible for me. I saw a famous saying that \"pure creation is brave \". ’ It does. I don\'t know what I\'m doing, but I\'m brave. According to Carnochan, the art battle model may be a solution to global challenges. \"That\'s how we started to solve world problems with brushes,\" says Carnochan . \". \"I don\'t agree with you-take out your brush! \"Pam Carnochan\'s artwork can be booked at her wool studio at Morgan House Bed and Breakfast at 83 Morgan Road, Huntsville. Please call 705-789- 1727 or send morganbb @ vianet by email. ca. Carnochan\'s work can also be held in April at the Waddington festival in Hartford, Connecticut, on October, on the Autumn Studio Tour in mascoka, and in the Royal Winter in Toronto on November. In May 9, she held a seminar on \"wool experience full watercolor\" in the studio.
